Embodying the unspoken - the experience of medical care, place, memory, movement. An installation based performance by Anna Emilsson and Richard Widerberg. The piece investigates what’s human in the body of illness and the history of medical care.

Body Interrupted. The piece is a trio based on the idea of how one physically relates to one’s own body and other bodies, what expectations, presumptions in a metaphysical sense, one has within those relationships and how there is a constant shift as human beings are alive, non-fixed creatures.


‘What do you crave? Considering what we crave in order to formulate and inform who we are, as well as our perceptions of the relationships we form with other people.’

Solo work performed and created by Anna in a small one bedroom flat that belongs to Atalante, Stage for Contemporary Arts. ‘Constant processes of holding on, being in-between and acceptance. Physical realism in a small space with much breathing space.

En blick, en bagatell? a collaboration between Danskompaniet Spinn and Föreningen JAG.

How do we meet each other? How do we meet ourselves? Our bodies are in constant dialogue with each other, consciously or unconsciously.

Move - a collaboration with British artist Sonia Boyce at the Gothenburg International Art Biennal and Konsthallen Gothenburg in a video work called Move.

Stalker - a collaboration between Anna Bergström and Anders Olofson for the opening party for Göteborg International Film Festival 2014.

Våren 2017 startade duon hahmo (Anna Emilsson och Karin Wiberg) upp arbetet med verket Mellan medvetande. Verket är en process, en plats för reflektion, ett ifrågasättande, en lyhördhet, en rörelse runt rörelser.

I invite you created and performed by Anna Emilsson in 2014 for Steneby Konsthall, Sweden.

Sometimes I forget to stop. Sometimes we as humans forget, and have forgotten, to pause. Finding those moments in-between. To leave space for the presence.

‘Having the room as a starting point, the flat, the space. A meditative questioning of the room in which we exist. A constant change of the very present. In here we can challenge proximity, the personal sphere, our expectations; of the room, others and ourselves. Body meets space, meets movement, meets images, will be meeting sound in a tactile non-perfection.’